Tuesday, January 15, 2013
Fleeting...
Ledges I and II are titled so because of where I find myself these days, at the precipice, the edge, looking onward. The green that is bleeding through to the front of the paintings represents the growth and opportunity that is presenting itself in my life today. But mixed in with these mounting possibilities comes risk, fear, and vulnerability, hence the red. If I don't cross over that ledge, or jump, I will not find what's on the other side waiting for me, the unknown- captured in the white. But it is important to forge ahead and trust in the universe and its plan for me. Time is fleeting, moments come and go. Things are forever changing. Boundaries are crossed, even broken. Things are born, and things expire. Sometimes it seems that nothing is ever really tangible. But I believe that in this transience there is a place for love and humanity and that no matter what happens in my life, looking over that ledge doesn't have to be a solitary experience.
"Transient" 30x30 Encaustic
Wednesday, October 17, 2012
Darkness Made Visible
"Apparition I" 30x30 Encaustic
I originally started these paintings as a side exploration. I was reading the book, Black: The History of a Color, by Michel Pastoureau when I decided I wanted to work with black and shades thereof. Nothing happens by accident! I chose my color palette, as I always do when I begin a painting...and it is typical that the painting only reveals itself to me at the very end. So it was with this first painting. I laid down the final mark and stepped away. Much to my surprise, I saw the figure of a woman's body! I could not deny it. I called it Apparition because not only was it something or someone appearing to me it was something becoming visible, a truth, a reality. It haunted me. So I decided to create the next painting.
"Apparition II" 30x30 Encaustic
My color choices, black, graphite grey, buff titanium, and light blue with a hint of brown pink, helped to give the paintings this ethereal look. I continued to search for the person or truth that was trying to make itself known to me. Between the time it took for me to paint the second and third painting, the darkness was made visible. I just had to listen for it to be revealed.
"Apparition III" 30x30 Encaustic
By the completion of the third painting, all was illuminated for me. I am in a place of comfort and satisfaction in my life. I know what I want and what I will do to get it. I know who's important to me and who is just a passing phase. I am in search of all that is true in life, in all beings and things. Join me if you will....
I originally started these paintings as a side exploration. I was reading the book, Black: The History of a Color, by Michel Pastoureau when I decided I wanted to work with black and shades thereof. Nothing happens by accident! I chose my color palette, as I always do when I begin a painting...and it is typical that the painting only reveals itself to me at the very end. So it was with this first painting. I laid down the final mark and stepped away. Much to my surprise, I saw the figure of a woman's body! I could not deny it. I called it Apparition because not only was it something or someone appearing to me it was something becoming visible, a truth, a reality. It haunted me. So I decided to create the next painting.
My color choices, black, graphite grey, buff titanium, and light blue with a hint of brown pink, helped to give the paintings this ethereal look. I continued to search for the person or truth that was trying to make itself known to me. Between the time it took for me to paint the second and third painting, the darkness was made visible. I just had to listen for it to be revealed.
"Apparition III" 30x30 Encaustic
By the completion of the third painting, all was illuminated for me. I am in a place of comfort and satisfaction in my life. I know what I want and what I will do to get it. I know who's important to me and who is just a passing phase. I am in search of all that is true in life, in all beings and things. Join me if you will....
Tuesday, September 4, 2012
"Undergrowth" 30x30 Encaustic
Undergrowth is any vegetation in the forest that obstructs the passage through that said forest. This painting is about the things in life that stunt our progress and growth. It is about the little things that we don't necessarily see or feel that are happening at a most basic level, unbeknownst to us. The canopy could be flourishing but there is still brush getting in the way. It could be a bad habit, a person, place, or thing...causing us to go off track or get lost. We weren't given directions. We need to trust in the "forest", our community, that we will find the way.
"Abundance" 30x30 Encaustic
It is sort of funny that this painting immediately follows Undergrowth. Despite the fact that we were not given a roadmap, we were provided with all the necessary tools that are needed to get through this life. I believe that if take the time to pause and listen to the ultimate source of things, we will get our direction. Life is full. Life is abundant. Everything we need is right here at our fingertips. Live. Laugh. Love.
Undergrowth is any vegetation in the forest that obstructs the passage through that said forest. This painting is about the things in life that stunt our progress and growth. It is about the little things that we don't necessarily see or feel that are happening at a most basic level, unbeknownst to us. The canopy could be flourishing but there is still brush getting in the way. It could be a bad habit, a person, place, or thing...causing us to go off track or get lost. We weren't given directions. We need to trust in the "forest", our community, that we will find the way.
"Abundance" 30x30 Encaustic
It is sort of funny that this painting immediately follows Undergrowth. Despite the fact that we were not given a roadmap, we were provided with all the necessary tools that are needed to get through this life. I believe that if take the time to pause and listen to the ultimate source of things, we will get our direction. Life is full. Life is abundant. Everything we need is right here at our fingertips. Live. Laugh. Love.
Friday, July 27, 2012
"Wistful" 30x30 Encaustic
I like "Wistful" because it is sort of a conundrum. It is pretty on the outside but really spinning out of control upon closer inspection. The painting is about vague yearnings and disconnectedness. Despite the airy, bubbly feel the work exudes, none of the lines in the painting, although very active, ever connect. I think I can make this leap into how I and perhaps many of us have at one point or another have dealt with situations in life. How often do we put on a pretty face, a facade, when the inside is crumbling? How often do we show our true desires or our lack of satisfaction? All the extras- clothes, make-up, perfect hair or body, they don't add up to understanding and true, ultimate satisfaction. I strive in my life to come to the center and recognize my desires and present the true me.
"Through the Course of Time" 30x30 Encaustic
This painting is simply about opportunity and relationships. It is my belief that over time things will happen as they are supposed to and not how we will them to. There are no coincidences in life, things come together as they are meant to. Despite all of our best efforts, the universe has the last laugh!
I like "Wistful" because it is sort of a conundrum. It is pretty on the outside but really spinning out of control upon closer inspection. The painting is about vague yearnings and disconnectedness. Despite the airy, bubbly feel the work exudes, none of the lines in the painting, although very active, ever connect. I think I can make this leap into how I and perhaps many of us have at one point or another have dealt with situations in life. How often do we put on a pretty face, a facade, when the inside is crumbling? How often do we show our true desires or our lack of satisfaction? All the extras- clothes, make-up, perfect hair or body, they don't add up to understanding and true, ultimate satisfaction. I strive in my life to come to the center and recognize my desires and present the true me.
"Through the Course of Time" 30x30 Encaustic
This painting is simply about opportunity and relationships. It is my belief that over time things will happen as they are supposed to and not how we will them to. There are no coincidences in life, things come together as they are meant to. Despite all of our best efforts, the universe has the last laugh!
Wednesday, June 27, 2012
"I Dreamt of Red" 30x30 Encaustic
I will be showing at NK Gallery with other artists- Tracy Spadafora, Heather Hilton, and Kathy Halamka. All works include encaustic in some way. The show is from June 29th through July 20th, with a reception on July 6th, from 5-8pm. Please join me in celebrating this new work!
Wednesday, May 30, 2012
Crossing 30x24 Encaustic
Crossing…this is almost a painting that is offered as a rhetorical question. It is a precursor to the next painting Undercurrent. Crossing is about a shift, a going to the other side...what’s on the other side…opportunity, curiosity, good/ bad? What about the crossing or the thing crossed on? Is there risk? What about falling or failing? Is there much contemplation? Are we alone? With others? Alive or dead? Are we moving from a place of safety to a place of uncertainty….a place where there are risks to be taken, but where I have to trust my inner sanctity? Can I ask others, or is it a time where I have to be self-reliant? Must I cross alone?
Undercurrent 30x30 Encaustic
Undercurrent is the pulse of the universe in my blood…it gives me my character and stamina. It is what drives me mentally and physically. It is what I use to filter the people, places, and things that distract me from my internal goals. We can usually tell when we are going against this undercurrent…internal dialogue is confused, perhaps speaking a different language, our actions are ill intentioned, and things just aren’t right. We could go on like this for a long time, for some it could last a life time. I would go so far as to call it the soul. Some never get in touch with this part of themselves, perhaps a tragedy. Some find it late in life…some are addicted, conflicted and abused and never have the opportunity to tap into that current of their life that could offer them meaning on a whole different level. I believe it necessary to cross, to be self- reliant when we need to be. We are not separate from the world, we are interconnected with it. There are those who would never think of the soul, and those who resist the undercurrent…but no matter how hard we try to separate the two, it cannot be done. One affects all. And when we are gone, I believe the current continues. Are you in touch with yours? Where is it Crossing?
Crossing…this is almost a painting that is offered as a rhetorical question. It is a precursor to the next painting Undercurrent. Crossing is about a shift, a going to the other side...what’s on the other side…opportunity, curiosity, good/ bad? What about the crossing or the thing crossed on? Is there risk? What about falling or failing? Is there much contemplation? Are we alone? With others? Alive or dead? Are we moving from a place of safety to a place of uncertainty….a place where there are risks to be taken, but where I have to trust my inner sanctity? Can I ask others, or is it a time where I have to be self-reliant? Must I cross alone?
Undercurrent 30x30 Encaustic
Undercurrent is the pulse of the universe in my blood…it gives me my character and stamina. It is what drives me mentally and physically. It is what I use to filter the people, places, and things that distract me from my internal goals. We can usually tell when we are going against this undercurrent…internal dialogue is confused, perhaps speaking a different language, our actions are ill intentioned, and things just aren’t right. We could go on like this for a long time, for some it could last a life time. I would go so far as to call it the soul. Some never get in touch with this part of themselves, perhaps a tragedy. Some find it late in life…some are addicted, conflicted and abused and never have the opportunity to tap into that current of their life that could offer them meaning on a whole different level. I believe it necessary to cross, to be self- reliant when we need to be. We are not separate from the world, we are interconnected with it. There are those who would never think of the soul, and those who resist the undercurrent…but no matter how hard we try to separate the two, it cannot be done. One affects all. And when we are gone, I believe the current continues. Are you in touch with yours? Where is it Crossing?
Monday, April 2, 2012
Desire and Action
Latitude 30x30 Encaustic
Folds in Time 30x30 Encaustic
Folds in Time is also very elemental and basic. It is about the peeling back of ancestral layers of time and history to reveal what has always been. The folds, or creases can never be erased, denied, or ironed out. It speaks of the human condition and of all things passed down from generation to generation. It relates to Latitude in the sense that, freedom, a very human trait, has a very generational definition from person to person or culture to culture. We must peal these layers back in order to get to the truth.
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